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AI Voice for Film & TV Production

Film and TV production

Emmy-winning AI voice technology used by major studios - from perfecting accents to preserving voices across a full production run.

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Clients

Respeecher is trusted by industry leaders worldwide
  • lucasfilm-1
  • blumhouse
  • aloe-blacc
  • calm
  • deezer
  • sony-interactive-entertainment
  • edward-jones
  • Ylen_logo 1
  • iliad
  • warner-music-france
  • religion-of-sports
  • digital-domain
  • cmg-worldwide
  • ddb
  • droga5
  • sim-graphics
  • veritone

We Support Film & TV Production

Voice Restoration

Bring back the voices of legacy actors with high‑fidelity recreation, under clear consent and legal agreements.

ADR On Demand

Replace or refine dialogue in post without scheduling extra studio sessions.

Tone Consistency

Match tone, age, and delivery across timelines, edits, and pickups so the audience never hears the seams.

Accent Perfection

Close the gap when six months with a language coach isn't enough — down to the phoneme level.

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Cases

Film, TV and Animation

The Brutalist

We helped perfect Hungarian pronunciation for Adrien Brody and Felicity Jones in critically acclaimed drama “The Brutalist”
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TV shows

How Respeecher Brought Pumuckl Back to Life

Imagine hearing a long-lost childhood voice again – exactly as you...
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Film, TV and Animation

Respeecher Brings the Voices of Ernest Shackleton and His Crew to Life for National Geographic's "Endurance"

Respeecher helped in bringing history to life by reviving the...
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Film, TV and Animation

Emilia Pérez

We helped enhance musical numbers for the Oscar-winning "Emilia Pérez" while preserving the integrity of the original performances.
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More cases

Why teams choose Respeecher

Built for real productions

Our film voice technology is used on real shows and films, where talent availability, reshoots, and pickups cost real time and money.

Ethics and consent by design

Every project runs on explicit consent. Every voice we clone or generate is used with permission, under agreements your legal team can stand behind.

Security that matches the studio

Your rushes, stems, and temp mixes stay yours. We never train public models on your content, and our systems are built for studio‑level security.

People who know the craft

Respeecher brings together sound engineers and ML researchers who spend their days in Pro Tools sessions and on production timelines.

Learn what we can do for you

Testimonials

Brady Corbet
The process was creatively fulfilling and wholly successful as a result of months of hard work and transparent communication between our performers, our mixers, and Respeecher’s excellent team of engineers— all the feedback from myself, our Hungarian team, and our sound department was taken into account, but more importantly the results exceeded our expectations—Respeecher helped us to perfect even the most nuanced elements of the Hungarian language; known to be one of the world's most difficult languages if one is not originally a native speaker. [...]

What Respeecher is doing will open up possibilities for performers to play characters from anywhere in the world whilst also honoring the nations those characters are from.
Michael Gracey
We were thrilled with the voice conversions from Respeecher. They kept us in the loop at every stage, refining the audio through multiple iterations and feedback rounds. Their dedication and problem-solving ensured we got results that both I and Robbie Williams himself were happy with.
Cyril Holtz
I am delighted with the result—the songs sound exactly as I envisioned them, adding new shades and hues to the story. Respeecher's sound team has proven to be both diligent and professional when it comes to dealing with very subtle aspects like pitch and accent peculiarities. “Emilia Pérez” turned out great, and I am grateful to the Respeecher's engineers.
Reid Hoffman
LinkedIn
Microsoft
Respeecher also matched my voice to Scott’s professional reading of the Impromptu text. The end result is a nearly perfect audio artifact with amazing intonation. It sounds flawlessly human—though a bit less of a match to “my” voice than the Vall-E recording—and most importantly, similarly didn’t require multiple days of my time to record. If we hadn’t prioritized releasing an early version to show folks what that sounded like, the Respeecher team was confident that with more iterations we could have gotten it near-perfect.
Bear Grylls
We worked with Respeecher to recreate my voice in Ukrainian to as part of our education initiative ‘BecomingX Ukraine’. The technology is phenomenal and the result is astounding – I never thought I’d hear myself speaking fluent Ukrainian! Well done and thank to all the team for all your incredible work you are doing. We’re forever grateful and proud to partner with you.
Jennifer Trent
We used Respeecher to de-age the voice of a well-known actor in one of our movies. We were nervous that it wouldn’t work very well since the actor is in her 80s and we needed to de-age her down to mid-forties. Even though there was such a huge age jump, the end result from Respeecher was amazing, and added a level of authenticity to our movie. Everyone from our director through our entire post team was excited to work with Respeecher. Hopefully we will be able to do so many more times in the future.
Halsey Burgund
We worked with Respeecher on a film called ‘In Event of Moon Disaster’ first shown at the Amsterdam Documentary Film Festival 2019. They helped us create a synthetic voice of Richard Nixon to bring to life a never-read contingency speech in case the Apollo 11 mission went badly. We created a highly realistic film, in a large part due to their work. ‘In Event of Moon Disaster’ shows the creative possibility of voice replacement technology as well as highlighting just how realistic deepfake technologies can be, acting as a civic engagement project for the public along with contextual and educational resources.
Ryan Steelberg
For Veritone, the most important thing is ensuring our clients get access to technology without compromising on the ability to protect, the delivery speed and quality, and in this case, of the generated content. Respeecher's technology meets both requirements and has a proven track record of working with tier one projects.
David Romberg
When I approached the team at Respeecher with a very sensitive and personal documentary project, I didn't know what to expect. I’m happy to say that it has been an amazing experience. They are extremely professional, ethically minded and are genuinely passionate about bringing their innovative technology to the world. Their approach to the voice cloning process is highly personal and transparent. As a documentarian, it was important to me that the approach was ethical and human focused. The Team at Respeecher delivered on their promises and I could not be happier with the results.
Abigail Savage
 
Respeecher is a remarkable tool for Sound Editors. It delivers very high-fidelity recreations of a target voice, with transparent performance-matching of its source. It blows text-to-speech out of the water! The effect is uncanny and incredibly effective and I can imagine a whole slew of uses going forward. I am very excited to have discovered Respeecher, and it will be my go-to for voice recreation in the future, without question.
Tim Jones
Respeecher-Gives-Voice-to-Michael-York-in-Healthcare-Initiative-Respeecher-Voice-Cloning-Technology
 
Respeecher's source/target conversion of Mr. York's speaking voice demonstrably opens doors for the entertainment, education, and healthcare fields. Suffice it to say, it was an absolute honor to collaborate with them. Their brilliant accomplishment and timely delivery have allowed our humble project to be a success, exceeding our expectations for what's even possible.
Michael York
Michael-York-actor-IMDB-Cabaret-Austin-Powers-Respeecher-voice-cloning-software
 
I am very grateful to Respeecher for giving my words and work a whole new lease on life. The technique involved is as ingenious as it is amazing, and promises a great future for all those involved in voice work. With Respeecher, the quality of the re-worked passages is indistinguishable from the original. History comes almost miraculously alive again. I heartily endorse this product.
Joseph López Osorio
Discovering Respeecher was the highlight of our project. They agreed to work with the task even when our training data was not of the best quality. The result was fantastic, and the level of detail was just outstanding.
Edgardo Rivera
Working with Reespecher was a unique experience. Their attentiveness to detail and dedication to this project allowed us to reconnect with one of our lost narration idols in Puerto Rico 'Manuel Rivera Morales' on a new level. It gave his family and PR a glimpse of what could have been if he was still alive and narrating all sorts of Olympic sports games. It was truly magical to see this project come alive.
Joshua Madoff
Working with Respeecher has been incredible. Their team was meticulous and patient, walking us through the process of developing an accurate model... and the final result was nothing short of miraculous. It really sounds like we’re hearing our (deceased) subject speaking again. Something I never would have thought was possible.
James Tumminia
From the introduction to Respeecher’s innovative and state-of-the-art products to the thorough and quick technical support, I immediately felt that I found the perfect partner and technology for my projects’ needs. During our discussions, the team offered other creative options that assured me we were on the same page and had my project’s success as a top priority. The Respeecher team members are consummate professionals.
Sophie Robinson
Making a film which was so sensitive we needed a company who understood the sensibilities and ethical issues we were dealing with. From the first meeting with them, Respeecher acted with respect and professionalism, delivered what we wanted brilliantly, efficiently and to spec.
Steve Isaacs
When Legion Creative took on the challenge of bringing MTV’s Kurt Loder back to his mid ’90s glory for the Showtime original Yellowjackets, we needed a resource to bring his voice in line with his de-aged visual appearance. Respeecher worked quickly, with clear communication and helped us achieve the time-warping magic we were looking for.
Derek Kedell
Using the Respeecher technology as a powerful filter for our recorded dialogue allowed us to quickly solve a voice-over challenge that could have completely derailed our production timeline and set us back several months. Their easy-to-use online web interface allowed us to resolve our problem in a matter of weeks and with very minimal impact on our overall schedule. Their friendly staff were extremely responsive to our feedback and provided excellent guidance on the use of the amazing technology.
Jacob Mosler
Respeecher brought the voice of WILT CHAMBERLAIN sonically back to life allowing Wilt to posthumously narrate his own documentary series GOLIATH [Showtime & Paramount+]. Our experience working with their team was a pleasure from start to finish. They embraced the creative challenge of building a practically perfect replication of Wilt's voice from hours of archival to carefully match the narration led by our voiceover actor's performance of Wilt's own words selected from his books. Their technicians paid fastidious attention to detail and contineud to work with our directors feedback to adjust the nuance of Wilt's voice until it was seemingly flawless. The Estate of Wilt Chamberlain authorized our team to create a 3-hour series documenting his extraordinary life; so naturally it was a huge relief when we shared the final WILT converted VO narration and received a unanimous approval from his family. Thank you again to Respeecher! Your professionalism, commitment to detail and excellence surpassed our expectations. Your nuanced work brought Wilt's voice back to life will be cherished in GOLIATH eternally.
Bev Standing
Working with Respeecher has provided me to control of where my voice is used, the opportunity to provide consent to my voice being used and receveing compensation.

Voice Demo

Explore the high-quality AI-powered voices Respeecher has helped generate for top-tier projects across entertainment industries
Ai voice of Luke Skywalker | Respeecher
Mark Hamill
Original voice
Luke Skywalker
AI voice
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Opportunities for your production

1.
Skip the re-record

Stop pulling high‑demand actors back into the studio for every tiny line change. With our voice actors and movie voice cloning, post‑production keeps moving.

2.
Adjust on the fly

When schedules don’t line up, you can scale any voice and record new lines anytime using our advanced film voice over tools.

3.
Keep characters
sounding consistent

When a young actor’s voice starts to change, we help the character stay recognizable to the audience. Voice models can stay with you for the run of the show.

4.
Get the accent right

If a coached accent still bumps the audience, we can subtly correct timing and pronunciation - delivering a truly cinematic voice - while leaving the acting untouched.

5.

Work on legacy projects

For carefully cleared, consented projects, we can bring historic voices back for educational, commemorative, or narrative work - including movie narrator voice applications where the original speaker is no longer available.

Complete 2026 guide on synthetic media

This guide dives into how to use AI‑generated voices and other synthetic media across Film & TV while staying aligned with ethics, consent, and the latest local regulations in 2026.

Awards

Emmy
The Webby
CLIO

How we work

1.

You share the recordings

  • Send us your target voice recordings - existing audio, archival material, whatever you have.
  • We evaluate the quality and advise on what's needed.
2.

We get permission and sign a contract

  • Before anything is cloned, we secure consent from the voice owner.
  • Every voice is used with full permission - no exceptions.
3.

You get the first results within 2 weeks

  • We build the animated voice model and deliver the first conversions.
  • You review and give feedback.
4.

We deliver the final voices

  • We process your feedback, refine the output, and deliver the final conversions -
  • or provide direct access to the voice model.
Discuss your project with us

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FAQ

It removes a lot of the friction that slows post down. Instead of scheduling studio time every time a line needs adjusting, you handle it in post. Creatively, it also opens things up - you can try different approaches to a movie voice over without burning through a talent's availability.
A few things come up consistently with productions we work with:
  1. Efficiency: You're not waiting on studio availability to move forward.
  2. Flexibility: The voice can be adjusted to fit the project - tone, age, delivery.
  3. Consistency: The same AI voice for movies holds across the whole film, even when scenes are shot months apart.
  4. Cost: Fewer sessions means lower overhead.
There are free options out there. For casual use, they might do the job. But for anything that's going into a professional mix - especially film voice over work - the gap in quality tends to show. Realism, consistency, and the ability to fine-tune are hard to get at the free tier.
A lot better than they were even a few years ago. The work we've done on projects like The Brutalist and Emilia Pérez went through director review and made it to theatrical release - that's the bar the movie voice over has to clear. The key is modeling speech at a level of detail where the nuances survive a professional mix.

The movie trailer voice has to hold up at volume, with music underneath, in a room full of people. That means clarity and weight, not just a voice that sounds decent in headphones. Our AI voice for movie trailer work is built around that - broadcast-grade output that directors can actually use.

Yes. A movie narrator voice needs to stay consistent across a long edit - sometimes across a production that runs months. Our film voice over tools are well-suited to that, and the output has the natural tone documentaries need rather than the slightly processed quality that gives some AI voices away.

Yes. Our cinematic voice tools are built for productions that end up in theaters or on major streaming platforms. Broadcast-quality output, compatible with professional post workflows.

You feed it a script, it generates a movie voice from a trained model. The quality depends entirely on how the model was built - the training data, the engineering behind it, how much of the original voice's character was captured. Our AI trailer voice output goes through that process carefully, which is why it holds up in a real mix.

Glossary

AI Voice Over

Using AI to generate voices for film voice production - dialogue, narration, voiceover. The output quality varies a lot depending on the technology and how the voice model was trained.

Voiceover Generator

A tool that produces a movie voice over from a trained voice model. The good ones handle the nuances - rhythm, texture, emotional coloring - not just the phonetics.

Post-Production

The stage where the film actually gets assembled - picture edit, sound mix, color, VFX. Movie voice work typically happens here: ADR, pickups, replacements, anything that needs to be addressed after the shoot wraps.

Voice Actor

The person behind the performance - in film, TV, games, animation. AI tools work alongside voice actors more than they replace them. Things like covering a pickup when the actor isn't available, or preserving a movie narrator voice across a long production run.

Realism

For any cinematic voice work, realism is the baseline. If the voice pulls the audience out of the scene, it hasn't done its job. That means getting the timing right, the texture right, and the emotional read right - not just making something that sounds approximately human.
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