AI Voices for
Game Development

1. NPC and side-character dialogue at scale – 30,000+ lines from a smaller cast of actors you already work with.
2. Iteration between builds – new lines, rewrites, and barks when the narrative changes mid-production.
3. Franchise continuity – keeping a character's voice consistent across sequels and DLC, including cases where the original actor cannot return.
4. Child voice preservation – capturing a young actor's voice at the start of a long development cycle.

On Cyberpunk 2077: Phantom Liberty, we worked with CD PROJEKT RED to match Viktor Vektor’s synthesized lines closely to the original actor’s performance, so the character still felt like the same person.

Yes, with proper consent and licensing. Every voice we clone or generate - whether through an AI voice changer for games or a fully scripted text-to-speech pipeline - is used with permission from the actor or estate, under written agreements your legal team can review.

We deliver final audio files that drop into your existing pipeline — the same way any other VO delivery works. For audio teams working in Pro Tools, we offer a plugin so conversions happen inside the session, without round-tripping files.

For studios with high iteration cycles or large dialogue volumes, we offer API access so new lines can be generated and pushed into nightly builds.

Setup is handled by our team. Your engineers do not have to learn a new system.

Yes, with the actor's written permission. We train a voice model from clean studio recordings of that actor, and use it only for the project and purposes you have agreed on.

The model belongs to your studio. You can use it across the project and its sequels, expansions, and DLC, under the consent terms agreed with the actor. We do not reuse it elsewhere and we do not train public models on your content.

For deceased actors, the same applies through the estate, with documented consent before any work begins.

Yes. Speech-to-speech works in phonetic space, so it converts whatever the performer makes into the target voice – coherent dialogue, combat efforts, screams, grunts, and other sounds a believable scene needs.

That covers a lot of what fills out a scene beyond scripted lines, especially in action and combat-heavy games.

Voice actors record the foundation – the lead performances, the emotional range, and the character. We extend that work into the additional lines, NPC variations, and pickups that would otherwise require pulling actors back into the booth for weeks.

It depends on the use case. For studio-grade recordings of a contracted actor, a few hours of clean audio is enough for most production needs.

For more constrained material (older recordings, child voices captured early in production, archival audio from past projects), we can work with much less. We assess each source before training and tell you upfront what is realistic.